Skip to main content

The Way of Balance

 


Cultivating Equanimity in Budo and Zen


The crane, symbol of balance, of equanimity, of the Tao.


Equanimity is one of the most important things we can learn from both budo and Zen.  Unfortunately, when we think of equanimity—if we even think of it at all—for too many budoka the first word that comes to mind is boring.  When I was a teenager, for instance, and had a love for budo that bordered on the obsessive, I didn’t want to hear about equanimity.  But—as the saying goes—I really do wish I knew then what I know now.  With 40 years of training under my belt, I know now that cultivating equanimity would have helped all aspects of my budo training (and my life outside of it).


There is no reason for equanimity to be considered “dull” in any way.  Equanimity, in Zen, is considered one of the four divine abodes, along with love, compassion, and joy.  This means that the word should engender the same emotions and feelings as the other three.  The Buddha, as recorded in the early Pali suttas, said a mind filled with equanimity is “abundant, exalted, immeasurable, without hostility, and without ill-will.”


The English word “equanimity” when used in both budo and Zen comes from their influence from Buddhism, and in the suttas, “equanimity” is the oft-used translation of two different Pali words, upekkha and tatramajjhattata.  For the most part, upekkha is the more commonly used of the two; it means “to look over.”  It is the equanimity that arises when we simply observe things.  Upekkha may best be understood as “seeing with understanding.”


Tatramajjhattata is a compound word that is much more difficult to translate due to its, well, compound nature.  According to Buddhist teacher Gil Fronsdale, the word might best be understood as “to stand in the middle of things.”  This form of equanimity, of being in the middle, is about remaining centered and balanced even in the midst of flame and fire raging all around.  You can, of course, see its application in budo, but we should still keep both words—and both of their uses to what equanimity truly means—in mind when cultivating this virtue.


Without practicing equanimity—which should eventually lead to simply being equanimous—you are more likely to be cultivating your ego rather than practicing true budo.  And in the dojo, the best way to cultivate equanimity is through the practice of non-attachment.  (This is also where another budo concept I have written about recently, shoshin, or “beginner’s mind” can help.)


When you first take up budo practice, you’re not really “attached” to anything in budo, aside from any beliefs you have about what you hope to gain from the practice, and that, of course, will vary depending on the age you take it up.  But as you progress, you will begin to have certain techniques or training methods that you prefer, and this preference can lead to attachment.  For the most part, these preferences don’t hold us back, but they certainly can, especially if you stop to practice some of the very techniques that you need to focus on due to weak points.  (And we all have weak points.)


Outside of the dojo, your attachments—especially to any loved ones, friends, or pets that are especially close to you—can affect your training in the dojo.  Although you need to cultivate equanimity throughout all of your life, you have to start somewhere.  And there is no better place than the dojo.   You can begin by letting go of concerns and worries about these various loved ones when you enter the dojo.  Approach your training in an almost sacred way by telling yourself that once you enter the training hall, put on your gi, and tie your belt to your waist, you will give your all to your training, and this includes letting go of any worries or fears about your life outside of training, and doing your best to live—and, therefore, train—completely in the now.


As you practice this cultivation of nowness, you may find that you can extend it to your daily life when you’re not training incredibly hard or sitting very attentively.  This is when your training of cultivating equanimity—as it is with all good training—begins to bear fruit in other ways.  Although you may not be completely equanimous, that’s okay.  It isn’t something that you should force.  But you should find yourself noticing your lack of equanimity, how you can be tossed around emotionally by your thoughts and your actions if you don’t pay attention to them.  As humans, we can easily get “worked up” over pleasant objects, or people, or various other things that entice us to sensory pleasures.  We tend to oscillate between that and becoming agitated by other people or objects we don’t like, undesirable situations, or just other “views” that we don’t agree with.  And if we lack balance—as too many people do in our modern world—then we will find ourselves constantly swept into extremes of craving sensory pleasures and becoming upset over our aversions.


Make no mistake about it—and this is definitely an area where modern man struggles—excitement is not happiness.  If you fail to cultivate equanimity, then you will never know the true joy that comes from a peaceful, tranquil, undisturbed mind.


Comments

Popular posts from this blog

Classic Bodybuilding: Serge Nubret's "Chase the Pump" Training

For those of you who are my age or older, you can probably remember well the first time you saw the amazing physique of Serge Nubret: It was in the pseudo-documentary we all now know and love as “Pumping Iron.”  With the director and writers of Pumping Iron attempting to make out the film as a “David vs Goliath” with the young (but massive) Lou Ferrigno taking on the older “Goliath” in the form of Arnold Schwarzenegger, they had no idea that their whole half-true enterprise would crumble a bit with the entry of Serge Nubret. You took one look at Nubret and you knew there was no doubt that Ferrigno was out of his league with both Schwarzenegger and the Frenchmen.  (Nubret was French.) Nubret - to this day - had one of the most classically beautiful physiques of all-time.  Arnold, of course, won the whole thing, but Nubret easily came in 2nd. By the time I watched Pumping Iron sometime in the mid to late ‘80s, there was very little information that I could fin...

Marvin Eder’s Mass-Building Methods

  The Many and Varied Mass-Building Methods of Power Bodybuilding’s G.O.A.T. Eder as he appeared in my article "Full Body Workouts" for IronMan  magazine.      In many ways, the essay you are now reading is the one that has had the “longest time coming.”  I have no clue why it has taken me this long to write an article specifically on Marvin Eder, especially considering the fact that I have long considered him the greatest bodybuilder cum strength athlete of all friggin’ time .  In fact, over 20 years ago, I wrote this in the pages of IronMan magazine: In my opinion, the greatest all-around bodybuilder, powerlifter and strength athlete ever to walk the planet, Eder had 19-inch arms at a bodyweight of 198. He could bench 510, squat 550 for 10 reps and do a barbell press with 365. He was reported to have achieved the amazing feat of cranking out 1,000 dips in only 17 minutes. Imagine doing a dip a second for 17 minutes. As Gene Mozee once put ...

Consistency and Variety

  The Two Keys to Mass-Building, Strength-Training Success      The other day, in my essay on the “ 2 principles of strength training ,” I outlined what I believe are the two most important principles for continued results in strength training or muscle-building (or a combination of the two).   In many ways, those two principles revolve around staying consistent and injecting variety into your programs.   So, here, I want to present some thoughts on much the same concept but frame it in a slightly different manner to touch upon varied aspects of proper programming.   I’m going to call these the “two keys to success” and they are: 1.       You must be consistent. 2.       You must inject variety into your program.      Consistency is the key for continued success, make no bones about it.   This is true no matter your goal.   You must train consistently to impro...