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Showing posts with the label training as martial art

The Path of the Spiritual Martial Artist Redux

     I wrote the original "Path of the Spiritual Martial Artist" over 10 years ago for Taekwondo Times Magazine .  About a year later, it was also one of the first articles I published here at Integral Strength.  But a lot can change in 10 years - at least, on a personal note.  Although my view of Zen, martial arts, and Buddhism has not  changed in the past decade, my maturing  of it has  changed.  After all, one of the foundational views of Buddhism is impermanence, which means that everything - and I do mean everything  - is constantly in flux, and, therefore, constantly changing.  So I thought that it might be a good time to review this original Integral Strength article, and make changes where I see that changes need to be made.  I hope you find it informative, whether or not your love is martial arts, Eastern philosophy and spirituality, or both!      (By the way, I looked everywhere for the Taekwondo Times  this article was originally published in.  I'm sure that i

Martial Arts and Zen: Essays on the History, Philosophy, and Application of Zen in the Martial Arts

C.S. sits on his zafu before a training session. 1 - The Journey Begins When I was a teenager, I had one great love: martial arts.  To be more specific, I suppose, would be to write that my great love was traditional Okinawan Karate-Do, which I had trained in since I was 9 years old.     I was a small kid, tiny you might even say, compared to the size of my fellow 4th-grade classmates.  For whatever reason - and perhaps schools still do this, much to the embarrassment of small boys - my 4th grade teacher would often line up the entire class against the wall of the classroom, boys and girls alike, from shortest to tallest.  I was always the shortest.  Add in the fact that, in addition to my smallness, I was something of an introvert, often bullied, and so my parents thought that martial arts might be a good way to build my self-esteem, not to mention keep me from getting pummeled on the elementary school playgrounds.     Now, if you’re a 9-year-old boy in

Zen Combat

     T o practice Zen or the Martial Arts, you must live intensely, wholeheartedly, without reserve - as if you might die in the next instant.       -Zen Master Taisen Deshimaru Korean Zen Martial Artist      This is the first in what will be a series of entries on “Zen combat”, as well as a basic explanation of what the term actually means here at Integral Strength.     The term comes from a book of the same name by the historian Jay Gluck, first published in 1963.  For early Karate-ka in North America, the book was exceptional reading, and it still remains so until this day.  For some reason, it hasn’t always remained in print, despite the fact that - unlike the entirely useless and pretty much awful book “Zen in the Martial Arts” by Joe Hyams, which has, for some odd reason, remained a seminal favorite - Gluck actually knew something about Zen and the martial arts.  Not to fault Hyams entirely, I suppose, since almost all martial artists I’ve come into contact with

The Lifter's Bushido

     While reading Nick Horton’s good blog “The Iron Samurai” the other day [1] , I came across this quote by the samurai Yamaoku Tesshu: “ In order to learn about the Way, forget about self and awaken to the truth… Exerting self is a mistake… We should not say “myself” — in truth there is no such thing… When there is no thought of self, true Bushido develops.” the samurai, and Zen master, Yamaoku Tesshu      The essence of Bushido is summed up in the last sentence.      When there is no thought of self, true Bushido develops .      Bushido—for those of you who are unaware—is often translated as “the way of the warrior” or, a more literal definition, “the samurai’s way.”   It is the way of one who practices Budo.   (Budo means “martial path”.)      I have often thought of lifting as a form of Budo, and my gym as the dojo.   (This is one reason that I enjoy lifting at home, in my garage dungeon gym.   It is not commercial, and, therefore, becomes more of a dojo tha